I want this dress to wear to work. Tomorrow. Someone sort it out please. I’ve realised a sad fact today and that is that I don’t own any dresses that force me to hold me arms out at 45 degrees.
Such a stunning painting. But I’m sad that she’s sad.
I love turning to paintings for writing inspiration. My next character is going to rock a mahoooosive skirt for sure.
Infanta Margarita Teresa in a Blue Dress by Velasquez
Cider and Anemonies. Painted in Acrylic at a table in St. Ives.
Converse. Painted in Acrylic for my niece
TWO NUDES.COLOURFUL. 1909
DODO SEATED NUDE WITH A HAT 1909 – LIKE THE GREEN AND THE BLUE
LOTTE LYING ON THE SOFA 1910
DODO WITH A LARGE FAN
LOVERS III 1911
NIGHTCLUB DANCERS
GIRL CIRCUS RIDER
STREET IN SCHONENBERG CIRTY PARK – BLUE SKY 1912-13
COUPLE IN A ROOM 1912
NOLUNDORF SQUARE: WOMAN BEFORE THE MIRROR 1913/20
LOVE HIS COLOUR LITHOGRAPHS
LOVERS IN THE MORNING
SELF PORTRAIT 1916
REMEMBER:
ANTON MAUVE – THE WOODCUTTERS. A GREAT INTEPRETER OF THE NETHERLANDS GREY NATURE
MATTHIJS MARIS – THE KITCHEN PRINCESS
THEODORE ROUSSEAU – THE DESCENT OF CATTLE IN THE HIGH JURA MOUNTAINS (SKETCH WITH BRIGHT RED/ORANGE)
BONNARD – MONTMARTRE IN THE RAIN 1897
GIOVANNI SEGANTINI – THE 2 MOTHERS 1897
DAMBIGNY – CLIFFS AT VILLERVILLE SUR MER
ODILON REDON – FIGURE UNDER A BLOSSOMING TREE, AND VASE OF A FLOWER
DEGAS – THE TUB
JAN SHIFTERS – TWO WOMEN EMBRACING 1906 (love)
KEES VAN DONGON – PORTRAITS
ALFRED STEVENS – ‘IF YOU PAINT A HIGH SOCIETY WOMAN YOU PAINTING MUST SMELL GREAT’
VAN GOGH:
THE COTTAGGE
FLOWERS STILL LIFE 1875 – COLOURFUL VASE
VASES WITH CHINA ASTERS AND GLADIOLI
SEASCAPES NEAR LES SANTES MARIES DE LA MER 1888
SPRING OF A FLOWERING ALMOND BLOSSOM IN A GLASS
ROSES 1890
IN THE CAFE AUGUSTINA SEAGATORI IN LE TAMBORINI
CAFE TABLE WITH ABSINTHE
That’s it, that’s all I wanted to say.
I’ve been asked to paint some cows from a photo and I’m finding it tough. Am going to see how it progresses before I give up entirely.
This is a rough painted sketch to see the colours (A4)…
This is the outline on the canvas (A3) …
lots to do to make the one in the middle look less like a pig, and the one on the left to look less like a cartoon.
Lucy Rose Williams 
